The women are from the same village in the southern state of Oaxaca and fluidly slip between Spanish and Mixtec, their native tongue, as they share gossip and sober news from home. We see our main character, Cleo, who’s a domestic worker working for this middle class family in Mexico City, who’s pregnant. Part of the problem is that Cuarón was arguably given a little too much artistic leeway here, resulting in a movie that sometimes lingers for so long on certain details and sequences that it actually detracts from the character-based moments of drama. By letting a scene play out without much editing, he lets us see how each of these characters inhabits these specific spaces. And when he leans into his more thought-provoking ventures, (Sólo con Tu Pareja, Y Tu Mamá También, and Children of Men) you get a masterpiece. Guerrero and Grediaga have far less screen time by comparison, but are equally capable in their supporting roles as the generally-absent (yet realistic) men who let their loved ones down, time and time again. Braver than anyone around her. Much of the movie takes … Brian Tallerico is the Editor of RogerEbert.com, and also covers television, film, Blu-ray, and video games. |, March 5, 2019 In “Roma,” the Mexican director Alfonso Cuarón uses a large canvas to tell the story of lives that some might think small. I am CEO of 20-first, a global gender-balance consultancy. We know little about either woman and learn less. The result is the most novelistic and experiential offering yet for [Cuarón], but make no mistake: Roma is not a film of gimmicks. So as they walk towards the furniture shop, they walk in front of riot policemen, but also, a lot of students. In Cuarón's films, cinema conjures up its own world, and this one provides the chance to explore it with him more intimately than ever before. Forgot your password? It is the prelude to disaster. Your AMC Ticket Confirmation# can be found in your order confirmation email. It is not their stories he means to tell. |, December 14, 2018 Cinemark Throughout the film, the latter has almost none. Almost the only sounds Cleo makes throughout this long, spare film are the lullabies she lovingly sings to her employer’s children, or her cries as she calls out after them. All Critics (386) We want to hear what you have to say but need to verify your email. The tiled courtyard driveway, which is shown being mopped clean over the opening credits, is habitually covered in the excrement of the family’s much cherished dog. |, July 9, 2020 Those coming to see this film had better prepare themselves to be emotionally wrung out. Alfonso Cuarón’s Roma is an epic poem recounting the battle between men and women, rich and poor, the powerful and the weak. It's beautiful story, he shot it himself along side writing and directing, at this stage we can see it in a bunch of different places, its on Netflix & in theaters, but go see it in theaters! Awful. Children running down the street as bands play, an affluent neighborhood gives way to a slum, yet strangely both are beautiful in their own way, the rhythm of servants washing clothes and wiping down a driveway, a forest on fire as locals desperately try to put it out, large late 60's American cars struggling to navigate small Mexican alleyways, and a firefight erupting in the streets playing second fiddle to a pregnant woman being rushed to a hospital about to give birth. Instead, in scene after scene, Cuarón creates a fine-grained vision of a woman and a world shaped by a colonialist past that inexorably weighs down the present, most conspicuously in a surreal interlude filled with guns, servants and a conflagration. The family’s four children — a girl and three boys, one presumably based on the director — tend to blur into a cacophonous, charming little mob and you catch their names only in passing. She will, it is intimated, grow stronger, and more mature, grounded in her home, her family – and her servants. All Rights Reserved, This is a BETA experience. There are signs of tension and dysfunction. Throughout “Roma,” Cuaron uses his mastery of visual language to convey mood and character in ways his mostly-silent protagonist cannot. Coming Soon. Some of the accusers are behaving as if they have never deigned to watch a movie on TV or DVD in their lives. Mostly, he speaks through his visuals, particularly the camerawork that alternately articulates his and Cleo’s points of view. mexicain américain (2018). Roma finds writer-director Alfonso Cuarón in complete, enthralling command of his visual craft - and telling the most powerfully personal story of his career. The father (Fernando Grediaga) first appears onscreen in a series of cubistic close-ups — a pack of cigarettes and a lighter, two hands casually holding a car wheel — that suggest he isn’t wholly present or knowable. We won’t be able to verify your ticket today, but it’s great to know for the future. Read about our critics’ other picks.]. | Rating: 3.5/4.0 Much of the movie takes place inside the house (a re-creation of Cuarón’s childhood home), which is flanked by a gated, open-roofed passage filled with bicycles, plants, caged birds and an exuberant, underloved dog named Borras. At the heart of it all is a wonderful performance from Aparicio, who brings to the role something delicate and stoic. The percentage of Approved Tomatometer Critics who have given this movie a positive review. In another scene, Cuarón punctuates a shot of the parents and children watching TV with one of Cleo seated next to them on the floor, a child’s arm draped on her body. This movie is produced by the streaming giant Netflix – yet far from being praised for having bankrolled a masterpiece, Netflix is widely attacked for intending this work to be consumed mostly on digital platforms, and permitting only a relatively small cinema release in exclusive partnership with one chain. Another sign of his interest in status over substance. It’s an expansive, emotional portrait of life buffeted by violent forces, and a masterpiece. And you’ll hear also how they sing the Mexican national anthem. |, July 7, 2020 He does a mesmerizing martial arts dance for her fully nude – exulting in youthful male power – before lunging intentionally towards where she sits, timidly admiring him from their bed. Participant Media, Know Your Critic: Carlos Aguilar, Freelance Film Writer, The Sights and Sounds of Golden Globes Weekend, March 24, 2020 And those are marking the time. This has plenty to say about class relations too, but what's most impressive about it is how the Mexican writer-director-cinematographer-editor transforms even his political observations into the stuff of big-screen spectacle. While Roma can certainly be appreciated as well at home as on the big screen, it was clearly meant to be viewed in the largest format available. Verified reviews are considered more trustworthy by fellow moviegoers.

Life is precious, and at the same time it is not. And she’s been taken to this furniture shop to buy a crib for the baby. 7 janvier 2019 | Rotten (17). Opinions expressed by Forbes Contributors are their own. Roma's juxtaposition of Sofia and Antonio's crumbling marriage with the social instability in Mexico City (circa the 1970s) ends up being all the more effective and fascinating for it. I speak on leadership, 'gender bilingual' marketing and talent management, and career issues across the globe, write for FORBES and Harvard Business Review. Cuarón has a crafted something that is purely, assuredly human. What are you waiting for? You feel both Cuarón’s presence and Cleo’s in this vision of her determinedly pushing against the threatening waves, an image he has dredged from the past and made alive through memory. It’s a masterful achievement in filmmaking as an empathy machine, a way for us to spend time in a place, in an era, and with characters we never would otherwise. In the background, you can hear different chants in support of different affiliations and different universities around the country. Cuarón doesn’t identify the incident — known as the Corpus Christi Massacre of 1971 — but fills in that day with visceral, harrowing flashes of chaotic violence, including a pietà-like image of a woman crying for help while cradling a dying man. It doesn't happen often, but sometimes as a film critic you exit a film so extraordinary and emotionally stirring that words nearly fail you. It has effectively been accused of suppressing the big-screen identity of its own product. [This film made our best movies of the year list. One is Cleo (played wonderfully by non-professional newcomer Yalitza Aparicio), a young woman of Mixteco Mesoamerican heritage working as a live-in maid for a beleaguered upper-middle-class family in Mexico City. © 2020 Forbes Media LLC. Retrouvez les 136 critiques et avis pour le film Roma, réalisé par Alfonso Cuarón avec Yalitza Aparicio, Marina de Tavira, Nancy García. That kind of movie is incredibly rare—we’re lucky if get one a year. | Rating: 4/4 There’s a tendency for filmmakers who attempt to make something that could be called “poetic” to get loose with detail. Their own ability to love, care and tend tossed out alongside, leaving them shriveled, ugly versions of human. intersectional layers of class to gender. The climactic family road trip in Alfonso Cuarón’s “Roma,” which stars Yalitza Aparicio, center, as a middle-class Mexico City family’s maid. |, September 21, 2020 There is no score, and yet “Roma” feels aurally alive, largely because of the veracity of Cuaron’s attention to detail. Synopsis : La vie d'une famille au début des années 1970 à Mexico. Just below that it reads "Ticket Confirmation#:" followed by a 10-digit number. The image is an example of a ticket confirmation email that AMC sent you when you purchased your ticket. He shot the movie in black-and-white, large-format digital, creating images that have extraordinary clarity, detail and tonality, with entire rainbows of gray, black and white. It is semi-autobiographical taking place literally across the street from where the director grew up and has several details from his childhood, including his absentee father, his single mother, going to the movie theater, and the influence of their family maid on his life. Roma review – Alfonso Cuarón's bravura ode to his Mexican childhood 4 / 5 stars 4 out of 5 stars. “Roma” shares its name with a neighborhood in Mexico City where families live behind locked gates, and where maids, cooks and drivers busily keep homes running. “Roma” spends roughly a year in the life of Cleo as she plans for motherhood, tries to support a family that is coming apart, and simply moves through a loud, changing world. As a result, Roma falls somewhat short of the masterpiece mark that it was clearly going for. The man of the house, Antonio (Fernando Grediaga), parks his car in this space with a wearied yet fanatical care that hints at his own unhappiness. Complications soon arise when Antonio suddenly runs away with his mistress and Cleo finds out that she's pregnant. A plane then moves across the field of view within the reflection. Perhaps not. Cleo and her friend Adela (Nancy García), the family cook, live at the end of the corridor in a tiny, cramped upstairs room. The death of Cleo's baby is one such flip: Had she been able to make it to the hospital in a more timely manner, would the baby have lived? 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The Netflix movie has already won major awards at festivals in Venice and Toronto (among others) and is now getting a limited theatrical rollout, which will allow even more people to enjoy Cuarón's drama in its proper big screen glory. What then, happens to the women? Roma est un film américano-mexicain réalisé par Alfonso Cuarón, sorti en 2018.. Il est présenté en sélection officielle à la Mostra de Venise 2018 où, grand favori de la critique [1], il remporte le Lion d'or.Le 6 janvier 2019, le film gagne le Golden Globe du meilleur film en langue étrangère, tandis qu’Alfonso Cuarón décroche la statuette du meilleur réalisateur Who wouldn't? We want to hear what you have to say but need to verify your account. Roma est un film de Alfonso Cuarón. Roma has to be seen on the big screen. ALFONSO CURAON IS A GOD. But there is a point here. I believe gender balance offers companies, countries and couples huge - and still untapped - benefits. Just leave us a message here and we will work on getting you verified. The sumptuous film, based on Cuarón’s own childhood, reverberates not only with innocence but with the awful intuition of its collapse. Both films speak about a director's formative years, and are attempts, I think, to give an objective, maybe even documentary appearance to that story. Perhaps she has risen as far as she might. Film de Alfonso Cuarón avec Marina de Tavira, Marco Graf, Yalitza Aparicio : toutes les infos essentielles, la critique Télérama, la bande annonce, les diffusions TV et les replay. Alfonso Cuarón’s intimate family drama, set in 1970s Mexico, is a triumphant blend of tragedy, comedy and absurdity, Last modified on Fri 30 Nov 2018 16.01 GMT. Le film “Roma” ressuscite un pan de l’enfance du cinéaste mexicain dans un très beau noir et blanc et un luxe de détails visuels et sonores. By virtue of being blessed to work here, I’m often asked what I think Roger Ebert would have thought about some of the films that have been released since he passed. Similarly, the second half of Roma in particular doubles-down on the melodramatic plot beats, to the degree that it starts to feel almost contrived at times, compared to the more realistic action of its first half. Meanwhile, in her off-time, Cleo hangs out with Adela (Nancy Garcia), the family's other maid, and even dates a young martial arts-obsessed man named Fermin (Jorge Antonio Guerrero). Her voice is raised only in care of others, and never in development of her own character. Production designer Eugenio Caballero (A Monster Calls) and costume designer Anna Terrazas (The Deuce) also deserve to be recognized for making the film's scenery feel all the more authentic, via their meticulous attention to detail. The film is remarkably episodic—so much so that its lack of driving narrative may disappoint people when they watch it on Netflix—but it’s designed to immerse you, to transport you, and those who go with it will find themselves rewarded. Same problem, though. So again: those who have the chance are encouraged to check the film out in all its theatrical glory. Roma's blunt and detached approach to violence may remind some of Children of Men. Coming Soon. Get the freshest reviews, news, and more delivered right to your inbox! Please click the link below to receive your verification email. Cuaron, who shot the film in gorgeous black-and-white himself (and clearly learned a thing or two from regular collaborator Emmanuel Lubezki), adopts a fascinating visual style for “Roma” in that he rarely uses close-ups, keeping us at a distance from Cleo and his other characters, and allowing the details of the world around them to come to life. Yalitza Aparicio give a subdued performance of our often-silent maid and finds the best ways to communicate her emotional state non-verbally. In both cases, women are perceived by the men as a utilitarian footnote, cast easily aside, slightly irrelevant to the main narrative of their lives. Cleo’s existence is a crowded one, and it almost feels like it gets more so as the film goes along, mirroring her increasing concern at the impending birth of her child. Perhaps the true mastery of the film is that it never actually feels like a masterpiece. Alfonso Cuarón’s Roma recounts the battle between men and women, rich and poor, the powerful and the weak. They won't be able to see your review if you only submit your rating. Cleo, despite love for the family being her reason raison d'être up to this point in her life, is the one who climbs the ladder to the sky at the end. When he returns to clear out his stuff, he takes the bookshelves – but leaves the books. His use of chaos to create the ordinary are the work of a genius. His thus-introduced need-for-more leads to his abandoning Sofia and their children in their beautiful home without a backward glance – or a cushioning financial hand. The go-to source for comic book and superhero movie fans. Cuaron has said that this film is a tribute to the women in his life and “the elements that forged me.” With that obviously personal angle driving the production, “Roma” often plays out like a memory, but not in a gauzy, dreamlike way we so often see from bad filmmaking. The streetscapes in 1970s Mexico City are worthy of Scorsese, and Cuarón stages stunning crowd scenes, especially his evocation of the Corpus Christi massacre, when around 120 people were killed by the military during a student demonstration. Cleo spends her days caring for the household - including, the family's dog - and children of Sofia (Marina de Tavira), an academic, and Antonio (Fernando Grediaga), a doctor. When, months later, with her belly starting to weigh, she goes to plead with him, he spits threatening hatred at her and her’ baby, vowing to kill them both if ever they reappear on his horizon.

All in all, Roma is very interesting for its documentary style, and I love Cleo. Much happens, but in fragments that slide together as the family and larger sociopolitical forces come into focus. His wife Sofía presides over four boisterous children, but the real work is being done by Cleo and her fellow maid Adela (Nancy García García), who are always eligible for the condescension of class and race but are nonetheless well treated. Let us know what you thought of the film in the comments section! |, August 30, 2020 Here, Cuarón uses both intimacy and monumentality to express the depths of ordinary life. The City of the Future (A Cidade do Futuro), Fall TV First Look: Find Out What’s Coming, The Best Peacock Original Shows and Movies, All Upcoming Disney Movies: New Disney Live-Action, Animation, Pixar, Marvel, and More. Cleo is a quiet young woman, eager to do a good job, and able to stay out of the way when controversy arrives within the family, especially with the distant, often-absent patriarch. If that's not reason enough to see Roma in a theater (if possible): the sound design is as rich as the movie's visuals and makes its bustling city backdrop feel all the more tangible with its lack of score and emphasis on smaller noises (be it soapy water trickling down a drain or planes soaring distantly overhead). There’s a certain part of existence that you feel that you’re under control. However, despite Cleo's best efforts to keep things running smoothly, it becomes clear that Sofia and Antonio's marriage is starting to crumble - even before Antonio leaves on a "business trip to Quebec" that he may or may not ever return from. The title refers to the city’s Colonia Roma district and to the director’s belief that Mexico City has been evolving in the four decades since into a non-imperial grandiosity, a quasi-Rome in its commotion and sprawl. I am CEO of 20-first, a global gender-balance consultancy. There are no approved quotes yet for this movie. Marina de Tavira does her best as the long-suffering family matriarch, who slowly, but surely realizes that she's on her own. And if all that wasn't enough, Mexico City itself soon becomes a dangerous place to live, as the tensions between wealthy landowners and their workers reach a (violent) breaking point. And the focus of his attention is on how they are treated by the men in their lives (not well), the extreme separation of gender roles – and the metaphorical consequences on everyone. His departing, power-laden epithet, is that she is nothing but a "servant." Imagine looking at an old album of black and white family photos; each picture provoking memories. A slow-burn film that recalls the Italian Neorealist movement. I facilitate politically incorrect debates that get leaders defining the strategic business opportunities of balance (and risks of not balancing). and to receive email from Rotten Tomatoes and Fandango.